Pioneers and Early Animation

He then started by screening other peoples films - mainly those that were made for the Kinetoscope but within months he was making and showing his own work, his first films being one reel, one shot views lasting about one minute. Melies job to the cinema was the combination of traditional theatrical elements to motion pictures. He sought to present spectacles of a kind not even possible in live theatre.
In the autumn of 1896 something happened which has since passed into film folklore and changed the way that George looked at filming. While he was filming a simple street scene Melies' camera jammed and it took him a couple of seconds to rectify the problem. Thinking no more about what had happened, he carried on the film and was struck by the effect such a incident had on that scene. Then objects suddenly appeared, disappeared or were transformed into other objects. Melies the discovered from his incident that cinema had the capacity for manipulating and distorting time and space. He then expanded upon his initial ideas and devised some complex special effects. He pioneered the first double exposure (La Caverne Maudite 1898), the first split screen with performers acting opposite themselves (Un Homme De Tete 1898), and also the first dissolve (Cendrillon 1899).
George Melies sadly died in 1938 after making over five hundred films in total - finacing, directing, photographing and starring in nearly every one.
George Melies sadly died in 1938 after making over five hundred films in total - finacing, directing, photographing and starring in nearly every one.
His video 'Trip to the moon' was his most famous film that he had made.
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